Siegfried worked his rhetorical magic on Lady Harianna Hawkwinter in an effort to ensure that House Thann was back in House Hawkwinter’s good books, and that he was seen as a reliable colleague who could be trusted. He explained that his endgame was to do good and expose evil, that the Gilded Eye had its own problems, and that there was in fact devilry afoot in the streets of Waterdeep that required a rescue effort to recover his friend Varien Aether. “A fascinating tale,” Lady Harianna said after a time. “But what does all this have to do with the Order of the Burning Dawn?” “That is still a mystery,” Siegfried admitted, detailing the organization’s history back to its early days as an adventuring company that famously raided Tholl Sla-Houk in the Sword Mountains, bringing down an orc horde on Waterdeep bent on revenge, but more recently there was an incident that attracted the Gilded Eye’s obsession and vendetta, something that Siegfried wanted to look into further. “If you’re up for it, there’s a somewhat-abandoned and not-quite-torched safe house in town. Wanna go look?” Harianna smiled and nodded. Siegfried smiled back. Siegfried sent a message to Erwen. “Hey, we’re going to go poke at some shady stuff, hopefully dig up some dirt that can help get Varien back. Let’s go.” In the garden, Equwen’s head poked up from the carrot patch, a mouthful of vegetables in his mouth. He obediently trotted around to the front of the villa at the behest of the angry groundskeeper, and discovered that there was another horse waiting at the front entrance. It was the most beautiful warhorse Equwen had ever seen. The horse was wearing full plate barding and its saddle was polished to a gleam. Equwen straightened up and shook his mane enticingly. The warhorse eyed Equwen coolly. Lady Harianna and Siegfried exited the front door of the villa. How many spells can you cast? Siegfried messaged his wildshaped companion. Equwen stamped a hoof. “I’m always prepared,” he replied with a whinny. “Of course you would have a talking horse,” Lady Harianna said with a half-smile. “Ah, my mount Anastasia must be fond of yours, because she hardly ever lets another horse get within melee range.” She gave Anastasia a fond pat on the neck and chuckled. “You know, normally when I go out riding I have a squire with me, but tonight you’ll have to do,” she said as she gave Siegfried a look up and down. Siegfried smiled, bowed and helped the Lady into her saddle. Equwen rolled his eyes. I cannot believe I am on a double date with Siegfried. Siegfried attempted to mount Equwen, trying to put his foot into stirrups that weren’t there. As he stumbled against the wildshaped druid, Equwen flexed and created a muscular set of handholds to help the half-orc climb aboard. Lady Harianna’s minutely-raised eyebrow was the only sign that she saw Siegfried’s struggle. She placed a magnificent plate helm on her head, its visor a hinged visor a metalworked approximation of her fine facial features. Siegfried was duly impressed. The two riders and their horses headed towards their destination. Siegfried observed all the proper riding and traffic protocols, glad to be back in his hometown. The hour was growing late, but Waterdeep was a city that never slept. Lamplighters were casting spells on lampstands that lined the main thoroughfares, and every second side street was packed full of revellers on parade in varying states of undress and inebriation. As soon as they crossed Waterdeep way, with Castle Waterdeep’s windows twinkling with light on the mountainside, the quality of the neighbourhood began to noticeably decline. The streets narrowed; the buildings grew shabbier. Instead of well-planned roads and streets there was a warren of laneways and alleys crowded with tightly-packed houses, some looking like they were leaning against one another for support. “Ah, the Docks District,” Siegfried said. “How delightfully rustic.” He messaged an order to a street vendor the next block over and procured some skewered treats, which he grabbed with a flourish after tossing a coin at the vendor. Siegfried studiously avoided leading Lady Harianna into any alley that doubled as an open sewer. He could tell that the Lady was thoroughly enjoying herself, possibly at Siegfried’s expense, and, recognizing this, he did his best to play up the Siegfried-as-hapless-fop angle to her great amusement. He was also enjoying how things were going himself, if he was being honest. Playing the fool would likely end up with both Lady Harianna and Siegfried getting what they wanted. Dhaera Darkeyes led Theryn on a tour of the Temple of Beauty, which more than lived up to its name. “Where would you like to go?” she asked. “Tell me again what your role is here at the Temple?” Theryn asked his guide. “I am an acolyte and servant of Sune, and I work in the temple’s scriptorium as a lorekeeper.” “Oh, so you know all the stories of all the rooms here, then?” “Well, this temple is always under construction and renovation and our architects and designers divine new and even more beautiful designs, so the layout often changes as Lady Firehair’s whims dictate in terms of what it is seen as theologically appropriate artwork and construction. There are always changes being made, and certainly someone has to keep track of them all.” “Well then, why don’t you show me your favourite parts of the temple that have your favourite stories and designs to share?” Theryn asked. Dhaera led Theryn past marvelous stained-glass windows, and she launched into a spiel about the many talented artisans who were wooed into the Lady Firehair’s service. There were equally beautiful mosaic tiles on the floors of the temple. The fervour and tone of her rhetoric came close to proselytizing at times. Here and there, tittering acolytes clustered in groups as they walked cloistered pathways around the perimeter of the temple’s main sanctuary, but Theryn was determined to keep his eye on the prize. Theryn took Dhaera’s measure and found her to be a passionate believer, faithfully relishing the opportunity to share her faith and how it informed the work she did in the Temple of Beauty, and how the temple’s beauty reinforced her faith in a virtuous circle. Dhaera led Theryn into a smaller antechamber off to the side of the main sanctuary, its walls covered in large, intricately detailed frescoes. There were two dominant paintings crafted with loving care. The first featured a stylized illustration of Sune, though this particular depiction was decidedly less voluptuous, more reserved than the norm. Her form was nowhere near as exaggerated as other representations in the Temple of Beauty. She was paired in the first illustration with the Phoenix, Hyolyn, who was depicted as a woman with red wings like that of a flaming peacock folded on her back. “This is Sune welcoming Hyolyn the Phoenix into her floating city of Brightwater in the Gates of the Moon. Brightwater is the city of romance in our mythology,” Dhaera explained. The second painting was also of the Phoenix Hyolyn in a wintry setting, on cross-country skis, holding a sword as she traveled resolutely across the frozen wastes. The Phoenix’s head was surrounded by a holy nimbus that suggested she was traveling with Sune’s blessings and protection. In one hand she held a greatsword in a scabbard marked with glowing runes that flickered like candles. “What is the deal with the sword in this fresco?” Theryn asked. Dhaera smiled wistfully. “Well, I’m glad you asked! We followers of the Cult of the Phoenix do not often get an opportunity to speak about our particular denomination and interpretation of the religious texts in Sune’s scriptorium. This is a representation of the Phoenix’s gift to her Chosen in the form of a sword. This sword is known by many names, among them Abaddon.” “Abaddon, you say?” Theryn said. “Sounds like it’s a weapon of some renown.” “The sword is wielded by the Phoenix’s chosen,” Dhaera explained. “There are those who seek it, and the Phoenix Hyolyn was charged with keeping it secret and keeping it safe. And so the story goes that she left Sune’s protection to hide Abaddon away in a secret place, and we believe she was successful, as the sword has not been seen for some time, nor has the Phoenix.” She frowned. “And so we pray, we light candles and other small conflagrations, in the hopes that Hyolyn, the aspect of the Phoenix, will return one day.” “So the sword is purely symbolic and not an actual artifact?” Theryn asked. “The scriptures are unclear on that point,” Dhaera said. “There are those who believe that the sword will manifest itself in physical form in the hands of a follower of the Phoenix who is impeccable in character who serves Sune and the Phoenix in equal measure. There are others who believe that the Sword never left the Gates of the Moon and still resides on Sune’s divine plane. And the two interpretations result in strongly-worded epistles and missives fired back and forth. You can read some of these in the Scriptorium.” “What’s your take on it?” Theryn asked. “I believe that if the sword was on this plane, it should have been discovered by now,” Dhaera said. “So it’s hard to say. Sometimes I think it’s a symbol of the Phoenix’s power and glory, and sometimes I think it’s a weapon that could be used to defend the faith and other holy purposes.” “So if something like that were to be real, where would it be?” Theryn asked. “Do you think it’s on another plane?” “It’s possible,” Dhaera said. “The Scriptures say the Phoenix traveled into the frozen wastes.” “So, somewhere north?” Theryn asked. Dhaera frowned. “I wouldn’t say North, though others might, as it’s outside the bounds of our interpretation of the Scriptures. It was a frozen wasteland. Some say she buried the sword. Some say she buried herself, waiting to be reborn in fire and flame. It’s a very esoteric topic of discussion amongst Sunites, as they are often more concerned with the beauty that they can see around them – the beauty of Form, the beauty of Art, the beauty of Craft and so on, and as we talk of the Beauty of Things Not Seen, we are often merely tolerated, and some branches of the Sunite faith are not so welcoming and ecumenical, so the Cult of the Phoenix has a safe haven in the Temple of Beauty much in the same way as Hyolyn found safe refuge with Lady Firehair herself in Brightwater.” “So, one of the things that allows us to appreciate beauty in all its forms are the things that are not beautiful. Elsewise, how would we know the difference?” Theryn said. Dhaera frowned. “That’s a view,” she said. “The pursuit of beauty is endless because there’s no upper limit,” Theryn said. “Is it truly endless?” Dhaera said. “You can always achieve perfection.” “If I may inquire,” Theryn said. “I don’t believe I’ve ever found anything perfect, have you?” Dhaera smiled. “That’s a weighty question, Theryn. However, there is one item.” “Do tell,” Theryn said. Dhaera looked around to make sure she and Theryn were alone. “It is spoken about in hushed tones. It is known as the Grey Portrait. This portrait was created by a follower of Sune named Belarion the Beautiful, and it is said that he was so obsessed with beauty and self-improvement, and his self-infatuation was so great that he sought any means to preserve his physical perfection. And it is said that the Grey Portrait absorbs all of the regular ravages of time, the course of life’s journey, the mileage we would say that even the most physically fit followers of Sune attract. Mortality itself. We know that skin-deep beauty is fleeting, and Sune warns against trusting too much in youthful vigour. There are those followers, however, who believe that even aging gracefully is not the best path for a believer of Sune, and some, like Belarion, chose to go beyond what was theologically acceptable. And so this blank canvas takes on the appearance of its owner and takes on the ravages of time, leaving the subject in pristine condition. So, you can see the appeal as a follower of Sune. It will absorb any debilitating effect that impacts one’s ability to live, but in the wrong hands, those who would own the Grey Portrait, the painting becomes more haggard and weathered and ravaged to the point that there is a perverse sort of perfection in that horrible visage that exists upon the canvas. And it is too dangerous a tool to allow to fall into the wrong hands, and so it has been hidden away, lest some be tempted with perpetual perfection.” “So, if this is spoken of in hushed tones, where would something like this be kept?” Theryn asked. “Ah, that would be Sune’s Glory Vault, also known as Lady Firehair’s Dowry Chamber, depending on one’s interpretation,” Dhaera said in a guarded tone. “And how often do you get to go in there?” Theryn asked. “Oh!” Dhaera laughed. “Very rarely. It is well-protected and well-secured.” “Most certainly,” Theryn said. “But surely someone of your place, position and stature must be able to gain access…” Dhaera blushed as she hemmed and hawed for a moment. “Well, I suppose we could take the briefest of all peeks. You can keep a secret, can’t you, Theryn?” “Is not the owl wiser than the fox?” he replied with an engaging smile. Dhaera threw back her head and laughed, and then led Theryn deeper into the temple’s recesses.